Renowned author Dan Brown got out of his luxurious four-poster bed in his expensive $10 million house and paced the bedroom, using the feet located at the ends of his two legs to propel him forwards.

“Hello, this is renowned author Dan Brown,” spoke renowned author Dan Brown.

Renowned author Dan Brown smiled, the ends of his mouth curving upwards in a physical expression of pleasure.

He felt as happy as a man who has something to be happy about and is suitably happy about it.

that volumetric moving colored image, and the invisible amodal framework that supports it, is our only window onto the objective external world beyond the mind.

A mental image of a cube is tied to the abstract concept of a cube, a concept that can attach to any cube as long as it is cubical. But the cube can vary in spatial location, it can rotate in orientation, it can zoom up and down in scale, it can even stretch or morph elastically (within limits) while still maintaining its perceived identity as a cube. The concept of a cube is distinct from the image of a cube, because the concept is invariant to the rotations and translations and scalings of the cube. And yet the concept is intimately connected to the image in the sense that the concept inevitably “lights up” or becomes activated in our mind whenever a cube, or cubes, are present in our experience wherever it, or they, are located.